Most of us who frequent art exhibitions and museums have a certain pace at which we walk from one work to the next.
Faster or slower than that and it doesn’t feel right.
Now imagine walking through a space and having to wait for Work A to move out of the way before you get a glimpse of Work B.
It could either be one of those ‘how long is this going to take?’ experiences. Or it could be magical.
Ayşe Erkmen is an artist who investigates the history and the politics of the locations her work is sited at. This is interesting in the context of The Curve – a space that wraps around the back of the Barbican’s Hall while sitting above its backstage area. Playing on the idea of ‘behind the scenes’, Erkmen has created eleven scenic backdrops that are placed in quick succession across the narrow semicircle gallery. By raising and lowering these backdrops on an automated fly system, she creates a scenic walkthrough for vistors, often making them pause between backdrops as they wait for the one one ahead to rise up.
That the verso of each backdrop is matched by the front of the one ahead is poignant; almost making the visitor feel like they’ve been sandwiched between two works. Not being able to move around them is also key to the experience; you have no choice but to wait.
A powerful work that doesn’t succumb to our need for instant gratification, Intervals also covers different styles and traditions of theatre design across the carefully selected backdrops.
Images borrowed with thanks (c) http://www.zimbio.com