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Today we’re inspired by the work of Numen / For Use called Tape Paris, currently installed at the Palais de Tokyo till 11 January 2015.

An immersive artwork that spans  the front entrance-way of the Palais, it only allows the viewer to experience as much as they dare to. Crawl thorough it, walk at full height, look from afar, above or below; the feeling of being inside the outside, pervades at all levels.

Tape / Paris

Tape / Paris

Tape Paris is a version of what has been several other Tape cities, and is part of the exhibition Inside, an exploration of ‘a passage to the interior of the self, for which the exhibition space serves as a metaphor.’ That’s what Palais de Tokyo say; we think it works!

All images borrowed with thanks!

Philippe Halsman: Jump

 

Capturing an image of someone jumping is really harder than it seems. You are most likely to have made several attempts with the ‘jumpee’ losing energy and enthusiasm with each successive take. But Philippe Halsman seems to have mastered the art especially when you begin to ask every famous personality you meet to pose for a jump shot. Since in the very act of jumping, the jumpee’s attention is mostly directed to the act of jumping, the mask they usually carry tends to fall away. The end result is a brilliant show of limbs and smiles.

Halsman counted Albert Einstein among his close friends and even took the famous Einstein portrait that featured on the cover of TIME in 1999. He worked with Salvador Dali and Alfred Hitchcock and was even lucky enough to have Marilyn Monroe pose for him. His adult life began quite dramatically when at 22 he was accused of murdering his father while they were out on a hike. Later released from prison he soon had to escape Europe to get away from the war. Moving to the US, he made a name for himself as an expert portrait photographer and had his images feature in many a Life and Vogue spread.

We’re inspired by the poise in his jumps and by the fact that though essentially the same action, no two images are alike.

Actress Eva Marie Saint. 1954

 

American physicist J. Robert Oppenheimer, 1958

 

American Federal Appeals Judge Learned Hand, 1957

 

Grace Kelly and Philippe Halsman

 

Marilyn Monroe and Phillipe Halsman, 1959

 

American pianist Liberace, 1954

 

Actress Kim Novak

 

Audrey Hepburn, 1955

 

Sophia Loren, 1955

 

Spanish painter Salvador Dali,”Dali Atomicus.” 1948

 

The American Vice President Richard Nixon, 1959

 

The Duke and Duchess of Windsor, 1958

 

American actors Dean Martin and Jerry Lewis, 1951

 

Phillipe Halsman

 

If you like Halsman’s jumps, check out his 1959 Jump Book that features 178 photographs of jumping celebrities. There’s also a movie Jump that’s based on the murder mystery that surrounds his father’s death.

http://philippehalsman.com/

Advanced Style

 

Yesterday we watched the inspiring Advanced Style, a film that follows some of the women featured by blogger Ari Seth Cohen on his eponymous blog. These grand dames of style are anything over fifty years old, and all take the greatest pains and delight in dressing up and being beautiful in their own way.

We came away with big smiles on our faces, and the realisation that no matter how old we are, we never get tired of wanting to be ever beautiful and dressed up.

 

There are a multitude of inspiring quotes in the film, a world of advice and examples to learn from, but we won’t paraphrase because they are best delivered by the people who live them. But we will share with you some of our favourite images from the blog. They are an inspiration to all ages and genders.

http://advancedstyle.blogspot.co.uk/

Advanced Style is also a book, a film, and you can also follow Ari on Twitter and Facebook.

Sara Naomi Lewkowicz: A Portrait of Domestic Violence

 

What do you mean by ‘a portrait of domestic violence?’
Why would you make a portrait of it?
Why are you not intervening?
Why are you not making it stop?
Why?

It’s possible that photographer Sara Naomi Lewkowicz faced a barrage of criticism for not intervening while taking the pictures that make up her 2012 series ‘Shane and Maggie’. What initially started out as a project following felons who have been released from prison and are readjusting to life outside (Shane in this case), Lewkowicz’s reportage took a different turn when one night Shane and his girlfriend Maggie got into a serious physical fight that ended in Shane getting arrested.

“Shane was like a fast car. When you’re driving it, you think ‘I might get pulled over and get a ticket.’ You never think that you’re going to crash.” 

Maggie and Shane’s courtship was brief but intense. Shane called her everyday from prison, and upon his release, they began to date.

 

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Maggie had two children, Memphis, two, and Kayden, four. She had separated from their father several months prior to beginning her relationship with Shane.

 

One month into their courtship, Shane had Maggie’s name tattooed on his neck in large black letters.

 

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The stress of Shane’s unemployment and raising two young children on very little money often took its toll on Maggie and Shane’s relationship. As the newness of their relationship wore off, they began to argue more frequently, usually about money or Maggie’s focusing most of her energy on the children rather than her relationship. “Why can’t I be the most important one, for once?” Shane asked.

 

Within a few months of their relationship, Shane moved Maggie and her children to a trailer park in Somerset, Ohio. The location was farther away than Maggie had ever been from her family and friends before, and she said her feelings of isolation only increased over time.

 

Kayden lifted a chair and a toy truck over his head to show how strong he was.

 

Maggie and Shane took a rare night out alone together, singing karaoke at a local bar. 

 

After a night out at a local bar, Maggie left after becoming jealous of when another woman flirted with Shane. Upon arriving home, Shane flew into a rage, angry that Maggie had “abandoned him” at the bar and then drove home with his friend, whose house they were staying at for the week. Maggie told him to get out of the house, that he was too angry and that he would wake the children.

 

Rather than subsiding, Shane’s anger began to grow, and he screamed that Maggie had betrayed him, at one point accusing his friend (not pictured) of trying to pursue her sexually.

 

As the fight continued to rage, Shane told Maggie that she could choose between getting beaten in the kitchen, or going with him to the basement so they could talk privately.

 

As Shane and Maggie continued to fight, Memphis ran into the room and refused to leave Maggie’s side. She witnessed the majority of the assault on her mother. As the two fought, Memphis began to scream and stomp her feet.

 

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Around half past midnight, the police arrived after receiving a call from a resident in the house (pictured at right). Maggie cried and smoked a cigarette as an officer from the Lancaster Police Department tried to keep her separated from Shane and coax out the truth about the assault.

 

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Shane hugged Memphis goodbye before being arrested. He insisted he wasn’t a bad person, that Maggie had been trying to leave the house and drive drunk with the children in the car.

 

The series then goes on to show how Maggie picks up the pieces of her life and moves back in with the husband she has separated from who is also the father of Kayden and Memphis.

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Maggie tried to pull herself together as she prepared to drive with her children to her best friend’s house for the night.

 

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An officer from the Lancaster Police Department photographed the bruises on Maggie’s neck from where Shane had choked her. “You know, he’s not going to stop,” the officer told Maggie as she wept. “They never stop. They usually stop when they kill you.”

 

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Kayden, who had slept through the assault, was disoriented and began to cry when he awoke. Memphis remained calm and seemed mostly concerned with comforting her mother. “Don’t cry, mommy, I love you,” she said over and over.

 

As Lewkowicz rationalises,’While this story is, in part, about domestic violence, it is not a reportage on a domestic dispute—it is not a news event. It seeks to take a deeper, unflinching look into the circumstances that transform a relationship into a crucible, and what happens before, during, immediately proceeding and long after an episode of violence takes place. With this story, it is my goal to examine the effects of this type of violence on the couple, the absued, the abuser, and the children who serve as witnesses to the abuse.’

The day following the attack, Maggie had to grapple with what would come next for her and her children. She had no source of income, no childcare, and was afraid to return to the home she and Shane shared to retrieve her possessions. She expressed intense fear that Shane would be let out on bail and come after her, and called the jail several times to make sure he hadn’t been released.

 

In the days following the attack, Maggie had time to reflect on what had occurred and decided to make an official statement to the police. She said she had resumed communications with her estranged husband and the father of her children, and was considering moving with her children to Alaska, where he is stationed with the Army.

 

Maggie and Memphis, March 3, 2013. More than three months since the assault, Maggie has moved her family to Alaska to try to repair her marriage and give the children a chance to be closer to their father. Maggie and her husband met at 14. She said they’d been on and off since eighth grade, yet they always seem to find their way back to one another.

 

This series is one of the most hard hitting series we’ve shared on this site. And though it made us sad and uncomfortable to be even in the presence of these images (the photographs are currently on display at Somerset House as part of the 2014 Sony World Photography Awards), there is something in knowing that it is photographs like these that take the conversation forward, that reduce the discomfort and example that Maggie is, that make us more amenable to talking and looking at a problem. This is not the pretty esoteric art that we’re usually looking at, but a reality that we need to face.

Sara Naomi Lewkowicz has been awarded the L’Iris d’Or/Sony World Photography Awards Photographer of the Year for this series, winning the award from among 140,000 photographers from 166 countries.

En Plein Air

 

With Brazil on everyone’s minds in the coming months, today we look to Rio de Janeiro and the inspiring series En Plein Air by Gabriele Galimberti & Edoardo Delille. With images taken from up high, this series is an ode to a country where sport is so much more than something to be watched….it is to be lived!

And like we saw in the series by Christopher Pillitz who captures the obsession with football that most Brazilians embody, the all embracing ‘have-space-will-make-it-fit’ attitude towards sport in even the most crowded neighbourhood, is both inspiring and refreshing.

Skateboarding is a common sport in Rio, and all sorts of teenagers do it, from the rich kids from Leblon to the poorest kids from the favelas in the northern part of the city.

 

A group of children are posing on the biggest playing field in the Favela Vidigal….From the top of the favela, the view of Ipanema is amazing.

 

In the Parque do Flamengo, there are many different playing fields, courts and other areas dedicated to different sports…The one with the red shorts is Andrè Klun, a former professional player (he played for 2 years on the Italian Virtus Roma team). He’s now the coach of the Flamengo basketball team.

 

At the Ipanema beach, people do many different sports, but one of the most common is definitely stand up paddle surfing. There are also a number of schools that teach it, especially in the area close to the Arpoador Rock. In this picture, teacher and beginners are posing together.
Elivelton is 22 years old. He was born and raised in Rio de Janeiro and he’s a soldier in the Brazilian Army. In this picture, he is posing inside the Parkour training center, a public space specifically designed and built for parkour. This is a new sport in Rio de Janeiro and only a few people practice it. Nonetheless, the municipality decided to build a space in the Catete neighbourhood dedicated to this sport

 

The Clube de Regatas do Flamengo is one of the biggest sports clubs in the city…. Four of the club’s many tennis teachers are posing in this picture.

 

Beach tennis is a new sport in Rio. The first courts for playing it were built by an Italian, who came to Rio 8 years ago from Romagna (Italy), the place where this sport was first invented, with the idea of exporting beach tennis to Brazil.

 

A soccer field in Parque do Flamengo

 

The Flamengo synchronized swimming team is the current champion of Brazil. The girls on the team go to train at the Clube de Regatas do Flamengo. This picture was taken there on one of their training days.

 

In addition to these images Galimberti has some other series that come highly recommended –
Local Celebrities where he photographs individuals who have made a big difference to the communities they live in,
Delicatessen with love that features what grandmothers do best – compete with rest of the world to feed us,
Mirrors and Windows that gives us a peek into the bedrooms of girls across the world,
and Toy Stories where he has kids posing with their favourite toys.

We don’t normally repeat photographers on Beanstories but Galimberti might be someone we return to in the not so distant future.

We leave you with our favourite from his Toy Stories series.

Maudy was born in a hut in a small village close to Kalulushi, in Zambia. She grew up playing in the street with the other children in the village, who all attend the same school, where students ages 3 to 10 years old are in the same class. The village has no shops, restaurants or hotels, and just a few children are lucky enough to have toys. Maudy and her friends found a box full of sunglasses on the street, which quickly became their favorite toys.

 

Humans of New York

 

We don’t like fabulously fashionable things…unless they really make us think.
And though Humans of New York has been in the press a lot recently, and though we’re still more Team The Sartorialist for our regular New York buzz, Brandon Stanton has come up with some pictures and stories that have made us stop and look again.

Here are our favourites! Click on the images to join in the stories.

“Do you remember the saddest moment of your life?”
“Probably sitting at the kitchen table with my dad, an hour after my mother died, realizing we had to figure out what we were going to do for lunch.”

 

“We were smoking outside one time. And this same car kept driving by, and we thought: ‘Man! That’s weird!’ Then we got arrested.”

 

“I want to be a dog walker when I grow up.”
“What’s the hardest part about being a dog walker?”
“Holding on to the leash.”

 

“I’m going to puppet class.”
“I didn’t know there were puppet classes.”
“I didn’t either. Until I googled it.”

 

He didn’t know much English beyond: “I’m from China.” But he did pull out his iPad and showed me his brother, his toys, his drum set, and a picture of his class.

 

“I read the blog every fucking day. I just came in on a bus from Maryland. The whole time I was thinking: ‘I’m going to find a cute old couple, I’m going to park next to them, and I’m going to get on HONY!'”

 

“What do you want to be when you grow up?”
“Fireman.”
“Why do you want to be a fireman?”
“I said Ironman!”

Wishing you a week filled with inspiration…and many more steps towards figuring out what you would like to do more than anything else in the world!

All images (c) Humans of New York and Brandon Stanton.